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𒊹 THE SPIRIT OF CHRISTMAS | Æ

THE SPIRIT OF CHRISTMAS Every Christmas New Years Night a new track Bibliographic Aesthetic & Sonic Review of Æ — Exotic Microtech Æ emerges as one of the most intellectually coherent and aesthetically rigorous voices within the contemporary micro-electronic avant-garde. Operating under the self-defined aesthetic of microtechno exótico, the project delineates a sonic and visual universe where architectural precision, hyper-refined minimalism and an almost ceremonial sense of spatial purity converge into a singular artistic identity. It is not merely a sub-genre but a design philosophy, articulated through sound. At the core of Æ lies an obsessive pursuit of formal perfection—a structural clarity so exacting that emotion only appears post-factum, as a secondary resonance, an echo produced by the mind’s encounter with sonic geometry. This aesthetic hierarchy—form first, affect after—places Æ within a lineage of creators for whom sound functions as spatial engineering rather than expressive overflow. The result is a music that feels constructed, not composed; designed, not improvised. The term microtechno exótico encapsulates the project’s unlikely duality. On one hand, the work adheres to a radical minimalism: microscopic sound design, rhythmic micro-structures, immaculate frequency balance, and an almost ascetic avoidance of excess. On the other, there is an unmistakable sense of exoticism, not in the folkloric sense, but in the philosophical one—the exotic as otherness, as a displacement of habitual listening frameworks. Æ’s music feels at once clinically precise and sensually unfamiliar, like an artefact from an imagined future civilisation whose aesthetics evolved under different physical and emotional laws. Sonically, the project is characterised by: Granular clarity, where every transient is sculpted to near-surgical sharpness. Spatial exactitude, exploring negative space as an active compositional force. Architectural rhythm, minimal yet deeply intentional, reminiscent of structural blueprinting. Tactile sound textures, which often resemble engineered materials rather than traditional electronic timbres. A controlled sense of tension, where repetition operates not as hypnosis but as architectural reinforcement.

NEXT 2026

𒊹 Announcement | Intro for Nxlz-U3 by Darius Čiūta

We are honored to announce that next year will see the release of Nxlz-U3, a new work by Lithuanian architect-composer Darius Čiūta, published through our sub-label No Records. With Nxlz-U3, Čiūta continues his singular exploration of sound as an architectural phenomenon — a practice in which silence, micro-gesture, resonance, and spatial tension become the raw materials of construction. His works do not merely unfold; they inhabit, expand, and redefine the listener’s perceptual field. This forthcoming album stands as one of Čiūta’s most refined examinations of minimal sonic tectonics: layers reduced to their essential states, structures emerging from almost imperceptible shifts, and a sense of intimate vastness that is uniquely his. Nxlz-U3 is less a composition than a site — a meticulously shaped acoustic environment meant not to be consumed but to be entered, inhabited, and lived with. n Nxlz-U3, Čiūta establishes a delicate equilibrium between intention and emergence, allowing sound to behave almost autonomously while remaining guided by a rigorous conceptual framework. The result is a listening experience that hovers between control and contingency, where each fragment seems to articulate both its independence and its place within a larger, unseen geometry. This release also represents a significant step in our curatorial evolution at No Records. By presenting Nxlz-U3, we reaffirm our commitment to works that challenge conventional notions of musical form and listening practice. Čiūta’s uncompromising approach resonates deeply with our vision: to offer spaces where sound can reveal its own architecture, and where listeners are invited to engage with attention, patience, and openness.We look forward to presenting this rare and uncompromising work, an album that embodies the ethos of No Records: attentive listening, conceptual clarity, and artistic integrity.

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𒊹 NÜHN'S HISTORY

Nühn was founded in a July 31 of 2013 and long career since 2001. First experimenting and working to get optimus level and without releasing much stuff, only in the hard drive for the first 8 years at the controls - wanted to express mediately audio experimentation the function of the frequencies that evolve the electronic music. This has mathematician aspect on the employment of sound. Recreation of drums synthesis figured like real band members. Tracks expressing the vertiginous fact that drums could sound in a computer sequential works. Electroacoustic music computered by several machines, (software plus hardware). The mathematician process of constructing beats from zero to another elevate value. Titled ironically to show how nowadays electronic music could have audio imagination. Analysis of noise component on alternative processed mix set. Study onto high and low fragments from pure vibes emerging obscured frequency-panorama. Back to noise works from (2012-forward) evocating chaos. Experimental Techno mixes version as Nühn Dj works. Nühn emerges from the deep nocturne years between 2012 and 2018, were 5 years producing and composing during those nights. Releasing his music in a variety of labels around the globe. The nights from Barcelona those years and those people could enjoyed his sound. Concerts in theatres, clubs and festivals in Catalonia. Nowadays still stay some of that dust in the night. In archived press on... { DjMag_ } as "Productively coherent and in romance with his passion in music"

Now as complementary unity becomed a company being promoter and manager for those artists making innovation in the art of music at the end of this decade of 20s for the next future. Unified in corporation with excellent partners and reasonable workers, artists, collaborator, managers and founder Julio Gutiérrez. Services for customers, afiliaters, promoters and all responsible employers of differents collaborators. Nühn creating the company music label: "is something like was oldschool labels dealing with a general job in music industry".

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