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𒊹 IN RECOGNITION |
CHARLOTTE DE WITTE

["A landmark release from one of the defining artists of our era. Her vision continues to expand the frontiers of techno culture."]

Charlotte Aloïs de Witte (Dutch: [ˈʃɑrlɔtə ˈalɔi̯s də ˈʋɪtə], French pronunciation: [ʃaʁlɔt alɔis də vit]; born 21 July 1992) is a Belgian DJ and record producer, best known for her "dark and stripped-back" brand of acid techno and minimal techno. She has previously performed under the alias Raving George. She is the founder of the labels KNTXT, RPM and Époque. De Witte's music is known to embody raw and gritty elements which attract both techno purists and new listeners.
De Witte first charted in the DJ Mag Top 100 poll in 2019 at number 74. She reached a career high of number 14 in 2022, with her latest rank being number 16 in 2024 & number 9 in 2025.

"Around 2009, she started to explore Ghent's underground nightclub scene, where she was drawn to electronic music. She started DJing in 2010, mainly playing electro music; her production work commenced about two years later. Winning a Studio Brussel DJ contest in 2011, she subsequently performed at the Tomorrowland festival. She adopted the alias Raving George to avoid negative preconceptions against female DJs, releasing her debut EP in 2013. Following the release of a string of EPs on Bad Life and Crux Records, her 2015 single "You're Mine", which featured Oscar and the Wolf, became a hit..."

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𒊹 GOD IS A DEEJAY | UNTITLED NEW WORKS

God Is A Deejay is presented as a creative persona within the Nühn universe—one that channels the more radical, borderline abstract impulses of the label’s aesthetic. The first installment of the Untitled Works series offered six tracks of vertiginous, kinetic energy, described on the Bandcamp page as “the recycled sound area of past old experimental rave … six tracks in vertiginous and constant moving through the last decadence of Drum & Bass remembrance music.” Nühn (Ghostworker) With Untitled Works II, the expectation is that the project deepens this trajectory: not merely revisiting heavy-drum frameworks, but pushing them toward the extreme, the dislocated, the unsettling—while retaining a high-fidelity, intentional studio craft. Given that Julio Gutiérrez (Nühn) is himself the founder and guiding force behind Nühn Ltd., the imprint and its sub-labels carry a strong “lab” ethos: each release is as much a sound experiment as it is a dancefloor statement. The forthcoming album thus stands as both a continuation and a refinement of his explorations. From what we know of the first volume, Untitled Works II likely offers tracks that are shorter in form but intense in impact: the previous six tracks ranged around the 4–6 minute mark (4:17 to 5:44) and were conceived as “non-pop music, reasonable mind work.” Nühn (Ghostworker) This suggests that the new album will resist easy categorisation and mainstream structure, favouring instead modular, fractal design. Rhythm and metric architecture: At its heart is drum & bass—fast, urgent, propulsive—but filtered through an experimental lens. Expect breakbeats that are stretched, fragmented, masked by delayed echoes, low-pass sweeps, and sudden amplitude drops. The original text: “study of dynamic, low pass, and delayed strong hits of bombs. Playing the voices, on distorted voxes/eq.” Nühn (Ghostworker) In Untitled Works II the impulse will be to take those “bomb hits” further: perhaps approaching rhythmic abstraction, where the beat becomes an object in motion rather than a simple groove. The bass will likely rumble beneath, sometimes flattening into texture rather than providing a conventional hook. Tonal and textural domain: Gutiérrez’s work under Nühn tends to revel in shadows and fog: layers of hiss, subtle modulation, voice samples distorted beyond recognition, ambient decay, and high-contrast transitions. The description of the label’s sound is telling: “a space you enter. A living architecture of sound suspended between shadow and ether.” Nühn (Ghostworker) In practice, that means Untitled Works II may open with a track that introduces a field of noise or a reverberant drone, then launches into breakbeats at roughly ~170–175 BPM (or perhaps pushing faster), the “drum & bass” reference being more a starting point than a boundary. Harmony and melody: My expectation is that melodic content will be minimal, or at least submerged. Any tune will likely emerge as a ghost—an echo trickled through filters, perhaps a sample warped, reversed, or grammatically fractured. The emphasis lies more in timbral shifts and micro-rhythms than large chord progressions or vocal lines. Indeed, the use of “voices” is described more as an instrumental layer: “distorted voxes/eq.” Nühn (Ghostworker) Thus the album may succeed insofar as it creates emotional and visceral impact via texture, motion, and density rather than via conventional harmonic or lyrical development.

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𒊹 NÜHN'S HISTORY

Nühn was founded in a July 31 of 2013 and long career since 2001. First experimenting and working to get optimus level and without releasing much stuff, only in the hard drive for the first 8 years at the controls - wanted to express mediately audio experimentation the function of the frequencies that evolve the electronic music. This has mathematician aspect on the employment of sound. Recreation of drums synthesis figured like real band members. Tracks expressing the vertiginous fact that drums could sound in a computer sequential works. Electroacoustic music computered by several machines, (software plus hardware). The mathematician process of constructing beats from zero to another elevate value. Titled ironically to show how nowadays electronic music could have audio imagination. Analysis of noise component on alternative processed mix set. Study onto high and low fragments from pure vibes emerging obscured frequency-panorama. Back to noise works from (2012-forward) evocating chaos. Experimental Techno mixes version as Nühn Dj works. Nühn emerges from the deep nocturne years between 2012 and 2018, were 5 years producing and composing during those nights. Releasing his music in a variety of labels around the globe. The nights from Barcelona those years and those people could enjoyed his sound. Concerts in theatres, clubs and festivals in Catalonia. Nowadays still stay some of that dust in the night. In archived press on... { DjMag_ } as "Productively coherent and in romance with his passion in music"

Now as complementary unity becomed a company being promoter and manager for those artists making innovation in the art of music at the end of this decade of 20s for the next future. Unified in corporation with excellent partners and reasonable workers, artists, collaborator, managers and founder Julio Gutiérrez. Services for customers, afiliaters, promoters and all responsible employers of differents collaborators. Nühn creating the company music label: "is something like was oldschool labels dealing with a general job in music industry".

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